Breaking Bad’s second season, like its first, went by far too quickly. The season finale airs Sunday night (10PM ET, AMC), and co-star Aaron Paul says it ends with a wicked cliffhanger. Any guesses? It certainly isn’t looking good for Paul’s Jesse or Emmy-winner Bryan Cranston’s Walt, whose relationship has been spiraling along with their own personal lives.
By the way, the AMC Website offers full episode videos of the entire season, meaning a Sunday afternoon catch-up marathon might be in order.

You may know Paul F. Tompkins from Mr. Show, Tenacious D or The Sarah Silverman Program, or for guest appearances on series like Frasier, Weeds and Pushing Daisies, or for the stand-up career that has included Comedy Central specials, pop culture commentary on Countdown with Keith Olbermann and debating pop culture evils like Oprah and PETA on Lewis Black’s Root of All Evil.
But Best Week Ever fans – and as a recent BWE Tweetup in NYC proved, there are lots of us – have come to know and love the Philly funny guy as the host of our favorite pop culture wrap-up series. Tompkins, a regular talking head on the series, brought his comedic sensibilities, his endearing charm and, of course, his spiffy suits to the forefront in October 2008, when VH1 named him as host of the revamped BWE, now officially titled Best Week Ever with Paul F. Tompkins (Fridays, 11PM ET, VH1).
On the afternoon of a new Best Week Ever episode recently, I had the chance to chat with Paul about everything from the show’s new format, how he and the BWE team go about making us laugh every week and his favorite BWE guests to what TV shows he watches for fun, his dream job and his refreshing take on his career and, yes, what the “F.” stands for.
PS – Fans who follow Tompkins on Twitter will be privvy to inside scoop on the show, like recent Tweets from Paul about tonight’s BWE guests, Kris Allen and Adam Lambert.
Hey, Paul! Thank you so much for taking the time to do this today.
Oh, thank you for wanting to talk to me.
So, let me start with the format change. I loved the old show and I love the new format, but how did the change come about?
Oh, well thank you. That’s very nice to hear. I think it came about because the show had been going on for about four, fur-and-a-half years, and I think the feeling was, ‘Hey, we need to change it up a little bit.’ You know, it had been the same thing for awhile, and a lot of other shows on our very network had been kind of copying the talking heads style. So there was plenty of that out there, and I think there was an idea to mix it up a little bit and make it a much more written show, as opposed to the way it was, with comics riffing and stuff like that. It’s a lot harder to control the content (with the old format), but if everybody is there at the same time, I’m here with the writers, we write the show together throughout the week … It’s just a lot easier to produce the show and focus it and have a consistent point of view.
The new format is obviously driven a lot by your personality, too. Was it scary to be that front and center? It would seem to be a lot of pressure …
Yeah it is, because I hope people like me. It’s a lot of me, and, you know, there are people, I’m sure, who thought that a little of me goes a long way, and some who feel the other way, that they would like to see more of me. So it’s a tough thing to consider the people that have been viewers of the show already, and then people who have never seen the show before, maybe had no interest in the show before. How do we get new people, how am I presented to new people … it can be an intimidating thing.

41. Psych
How cool is Psych? So cool that among its many very diverse pop culture references has been Al B. Sure!, The Peanuts Christmas pageant dance, Drew Lachey and The Mentalist, a show that, as any Psych devotee will point out, came after our beloved Psych.
42. Best Week Ever – Best Pop Culture Wrap-Up Show Ever. Almost makes me forget how much I miss the Greg Kinnear and John “Skunk Boy” Henson days of Talk Soup.
43. The Sopranos reruns on A&E
The show’s still so good and so layered that you’ll find new things you didn’t catch the first time around, and I find I’m not missing the naughtier words at all.
44. Desperate Housewives
Was good, sucked there for a season or two, then bounced back. Despite the skepticism about the jumping-five-years-ahead storyline this season, I think it works, and has managed to freshen up a show that could have jumped into jumping the shark territory quite easily.
45. Boob tube to big screen adaptations
There’s the good (The Fugitive, The Adaams Family, The Brady Bunch Movie, Starsky & Hutch and most definitely the new Star Trek flick), the bad (Wild Wild West, Bewitched, The Dukes of Hazzard, Lost in Space and Scooby-Doo) and the what the hell were they thinking (The Honeymooners), but I always get excited about a TV show being made into a movie (or vice versa) and the possibilities of how some of my faves might be reimagined.
46. VH1’s Top 20 Countdown
Relying on VH1 videos to find new music? Yep, and I don’t care if that’s unhip. The fact is, I don’t remember the last time I saw a video on MTV, and though I often hear new tunes I like during The Hills or The City or The Real World (already admitted I’m still watching it), VH1’s weekend countdown of the top 20 videos is one of the best places to not only hear, but see new bands. It’s how I first discovered the pop/rock goodness of John Mayer’s debut CD (after he had the bad luck to release the album on September 11, 2001), and I’d argue that American Idol “loser” Chris Daughtry owes a goodly portion of the success of his debut CD to his videos’ constant presence on the VH1 countdown.
47. Pat Kiernan on NY1
Those of you outside the NYC area may be unaware of the soothing morning goodness of hearing the delightfully smooth-voiced Kiernan tell you what’s in the newspapers every day, but if every city had Kiernan reading what’s In the Papers for them, it would amount to a better start to their day. Those outside NYC may also remember him as host of VH1’s World Series of Pop Culture, and you can also catch him on Twitter.
48. Malcolm in the Middle
Loving the FX repeats, especially of the later seasons, which I’d stopped watching when the show originally aired. But in the latter years, it’s all about Reese and Dewey and Hal (the comedic genius that is Bryan Cranston), as, apparently, the writers figured out what most viewers knew all along – Malcolm was a dud. The rest of the family rocked.
49. Breaking Bad
Bryan Cranston, comedic genius (see above). Turns out he’s a damn fine dramatic actor, too.
50. Saturday Night Live
Yep, still watching it, every episode, every season, even when it’s not the must-see show during an election year. Love the Target Lady, love Kenan Thompson, love Andy Samberg’s digital shorts, love the Justin Timberlake appearances. Most of all, love the history of the show … one of the coolest things I’ve gotten to do as a TV writer was attending a live show (last season’s Jonah Hill-hosted ep). I was sitting there the whole time thinking about how I used to sneak out of bed to watch Eddie Murphy performing on that very stage. Back when Eddie Murphy was a comedic genius. Sigh.
There’s a scene where (Da Maniac) takes a helmet out of his station wagon, and it has barbed wire all over it, and I inadvertently hit Charlie in the groin with it.
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