Posts tagged with “Katey Sagal”

2011 Emmy Noms: The Good, the Bad, the Huh?!

OK, so I’ve had a day for the Emmy nominations to sink in, and, overall, I have to admit, there are a lot of things to like about this year’s line-up. And, as is true every year, there’s a lot to scratch your head about.

The best 2011 Emmy nominations: Timothy Olyphant, Walton Goggins, Margo Martindale and Jeremy Davies for Justified; Melissa McCarthy for best comedy actress; Friday Night Lights for best drama; Parks and Recreation for best comedy; Andre Braugher for Men of a Certain Age; Matt LeBlanc for best comedy actor for Episodes (seriously, he totally made up for Joey with this show); and Martha Plimpton for best comedy actress and Cloris Leachman for best guest comedy actress for Raising Hope.

The biggest Emmy snubs: No nomination for Katey Sagal for best drama actress for Sons of Anarchy and no best supporting comedy actor nod for Nick Offerman on Parks and Recreation.

It is ridiculous that Sagal, who won the Golden Globe last year for Sons, has yet to even get a single nomination for three seasons of outstanding performances on the show. In fact, Sons of Anarchy has received just one Emmy nomination – for the show’s theme music – in three seasons, which, again, is ridiculous. Also ridiculous, and what should particularly bothersome to the Emmy folks: That the Golden Globes (the Golden Globes) got it right, and they have yet to even acknowledge Sagal’s work.

Equally crazy: no recognition of Offerman’s work on Parks. The show got a best comedy series nomination, and Amy Poehler is among the best comedy actress nominees, both deservedly so. But to overlook Offerman is nuts, especially when one of the supporting comedy actor spots was taken up by Jon Cryer. First, Two and a Half Men didn’t even go for a full season; only two-thirds of the original 24-episode order were produced. And, even if you believe the show was ever anything but an unfunny, barely veiled version of Charlie Sheen‘s real-life creepiness, it’s so, so tired now, as is Cryer’s nomination. And while I also think it’s overkill that all four actors on Modern Family were nominated in what is typically one of the most talent-packed Emmy categories, those nominations are still more justifiable than Cryer getting one and Nick Offerman not getting one. Ron Swanson, people. Ron Swanson!

As for the rest of the main Emmy categories …

Best Drama: Boardwalk Empire; The Good Wife; Mad Men; Friday Night Lights; Dexter; and Game of Thrones
Thoughts: Boardwalk Empire is one of those shows that everyone says you should watch, and you do, once, and then decide you’re going to start DVR-ing it, which you do, until you let eight episodes build up and decide you’re probably never going to watch it even though you love Steve Buscemi, so you delete it. In other words, it was probably inevitable that it was going to get a best drama nomination, but I’m unconvinced that there are a lot of people who truly believe it is one of the best dramas on TV, as opposed to a lot of people who think they are supposed to think it is one of the best dramas on TV.

As for snubs, no Sons of Anarchy. No nod for The Walking Dead. No Fringe. And no Justified, which is easily as good as any show on that list and better than at least two-thirds of them.

Best Comedy: Glee, Parks and Recreation, The Office, Modern Family, 30 Rock and The Big Bang Theory
Thoughts: Yay for Parks and Recreation. Boo for The Office and Glee. The Office has not been consistently funny in at least a couple of seasons, and painfully unfunny in many episodes. Glee … I had lunch with a fellow journalist who covers TV yesterday, and we had a lengthy chat about Glee and how undeserving the show is of this nomination. Season two kinda sucked, and pretty much everyone agrees with that. But because the Emmy folks happened to heap love on a show that was also popular last year, they apparently felt the need to continue it for season two, which, again, made the awesomeness of season one seem like a fluke. Chris Colfer continues to be amazing, and Jane Lynch is always funny, but the rest of the show lost its charm in season two. I throw a slushie in the face of this nomination.

Besides, Glee and The Office took up spaces that could have gone to far funnier shows, like Community, It’s Always Sunny in Philadelphia, The Middle, Episodes, Raising Hope, Archer, Nurse Jackie and Eastbound & Down.

Lead Actor in a Drama: Steve Buscemi, Boardwalk Empire; Michael C. Hall, Dexter; Kyle Chandler, Friday Night Lights; Jon Hamm, Mad Men; Hugh Laurie, House; and Timothy Olyphant, Justified
Thoughts: Good list, save Hugh Laurie. Tired show, tired nomination. Would’ve included Andrew Lincoln for The Walking Dead before Laurie.

Lead Actress in a Drama: Elisabeth Moss, Mad Men; Connie Britton, Friday Night Lights; Mariska Hargitay, Law & Order: SVU; Michelle Enos, The Killing; Julianna Margulies, The Good Wife; and Kathy Bates, Harry’s Law
Thoughts: Any list that does not include Katey Sagal is an incomplete list at best, a joke at worst. And Mariska Hargitay, again? As with Hugh Laurie and The Office, the Emmy folks are in denial, and are just going to keep handing out those particular nominations as long as the shows/stars are on the air. Given that, I do find it surprising they dissed perpetual contender Kyra Sedgwick for The Closer.

And Kathy Bates? Great actress, but definitely not deserving of that spot vs. Sagal, and more deserving of recognition for her performance on The Office than for Harry’s Law.

Supporting Actor in a Drama: John Slattery, Mad Men; Andre Braugher, Men of a Certain Age; Walton Goggins, Justified; Peter Dinklage, Game of Thrones; Josh Charles, The Good Wife; and Alan Cumming, The Good Wife
Thoughts: Several Sons of Anarchy cast members belong here, but I’m so happy that Walt Goggins, who’s deserved this nomination since back when he was stealing scenes from Michael Chiklis on The Shield, is finally being recognized that it’s all good.

But, okay, one thing: Men of a Certain Age deserves a lot more play than it gets, both as a show and for the individual performances of Andre Braugher, Ray Romano and Scott Bakula. Still, yay, Walt Goggins, who shared with EW.com the funny story of what he was doing when he got the call that he’d been nominated. Hint: Like his Justified character, Boyd, he was in deep doo.

Supporting Actress in a Drama: Kelly Macdonald, Boardwalk Empire; Christina Hendricks, Mad Men; Michelle Forbes, The Killing; Archie Panjabi, The Good Wife; Margo Martindale, Justified; and Christine Baranski, The Good Wife
Thoughts: Ditto Margo Martindale. This only becomes a bad scenario if she doesn’t win the Emmy, because she owns everyone else on this list with her performance as Mags Bennett.

Outstanding Guest Actor in a Drama: Bruce Dern, Big Love; Beau Bridges, Brothers & Sisters, Michael J. Fox, The Good Wife; Paul McCrane, Harry’s Law; Jeremy Davies, Justified; and Robert Morse, Mad Men
Thoughts: Jeremy Davies owns this one, but it is never, ever a bad thing to see Michael J. Fox nominated for an Emmy. Even if he were nominated for Best Being Awesome on TV for More Than Three Decades Emmy, I’d be cool with that. In fact …

Outstanding Guest Actress in a Drama: Mary McDonnell, The Closer; Julia Stiles, Dexter; Loretta Devine, Grey’s Anatomy; Randee Heller, Mad Men; Cara Buono, Mad Men; Joan Cusack, Shameless; Alfre Woodard, True Blood
Thoughts: Wow, someone was watching Shameless. Huh.

Lead Actor in a Comedy: Matt LeBlanc, Episodes; Jim Parsons, The Big Bang Theory; Steve Carell, The Office; Johnny Galecki, The Big Bang Theory; Louis C.K., Louie; and Alec Baldwin, 30 Rock
Thoughts: The thing that made me most proud, as a member of the Broadcast Television Journalists Association, of our inaugural Critics’ Choice Television Awards last month? That Charlie Day was a best comedy actor nominee for It’s Always Sunny. He should be on this list, as should Joel McHale for Community and Garret Dillahunt for Raising Hope. So while it’s cool that the Emmy dudes and dudettes threw some love Matt LeBlanc’s way, the rest of the list is just … meh.

Lead Actress in a Comedy: Laura Linney, The Big C; Edie Falco, Nurse Jackie; Amy Poehler, Parks and Recreation; Melissa McCarthy, Mike & Molly; Martha Plimpton, Raising Hope and Tina Fey, 30 Rock
Thoughts: Patricia Heaton should be on this list for The Middle.

Supporting Actor in a Comedy: Jon Cryer, Two and a Half Men; Chris Colfer, Glee; Jesse Tyler Ferguson, Modern Family; Ed O’Neill, Modern Family; Eric Stonestreet, Modern Family; and Ty Burrell, Modern Family
Thoughts: See above. Still think it’s totally overkill to have four Modern Family nominees, though very happy Ed O’Neill (my fellow Ohio University alum!) got one this time. Still, among the many other names who deserve to be on the list as much as any of the people who are: Danny Pudi, Donald Glover and Ken Jeong from Community; the aforementioned Nick Offerman, as well as Chris Pratt and Aziz Ansari (and maybe even Rob Lowe) from Parks and Recreation; Neil Patrick Harris for How I Met Your Mother (hey, if they’re going to keep tossing Cryer on the list, how can they not include NPH?); Justin Kirk for Weeds; and, seeing as how the guy is the best reason, aside from a Justin Timberlake hosting gig, to tune into Saturday Night Live, Bill Hader.

Supporting Actress in a Comedy: Jane Lynch, Glee; Betty White, Hot in Cleveland; Julie Bowen, Modern Family; Kristen Wiig, Saturday Night Live; Jane Krakowski, 30 Rock; and Sofia Vergara, Modern Family
Thoughts: Betty White … see Michael J. Fox nomination above, except in her case, it would be a Best Being Awesome on TV for More Than Six Decades Emmy. I’d also swap out Kristen Wiig, who is sometimes painfully unfunny and repetitive on SNL, for Cougar Town‘s Busy Philipps, who actually won our BTJA Television Awards trophy for best supporting comedy actress.

Outstanding Guest Actor in a Comedy: Idris Alba, The Big C; Nathan Lane, Modern Family; Zach Galifianakis, Saturday Night Live; Justin Timberlake, Saturday Night Live; Matt Damon, 30 Rock; and Will Arnett, 30 Rock
Thoughts: Character actor Paul Hipp (one of those “Hey, I know that guy!” guys), for playing the hilarious Rev. Tim Tom on The Middle, should be on the list. The character even has his own Facebook page.

Outstanding Guest Actress in a Comedy: Kristin Chenoweth, Glee; Dot-Marie Jones, Glee; Gwyneth Paltrow, Glee; Cloris Leachman, Raising Hope; Tina Fey, Saturday Night Live; Elizabeth Banks, 30 Rock
Thoughts: Damn you, Emmy people! The fact that you’ve foisted Gwyneth Paltrow on us means there’s every possibility that she might choose to sing on yet another awards show. And for that, her inclusion on this list just might be your worst 2011 nominations sin of all.

SAG Award Nominations Announced; Still No ‘Sons of Anarchy’ Nods

Et tu, Screen Actors Guild? Even you can’t be bothered to recognize the incredible performances of your fellow actors, especially Katey Sagal? So. Lame.

If you care about who did get SAG nominations in the TV categories, here ya go:

Best Comedy Actor:
Alec Baldwin, 30 Rock
Steve Carell, The Office
Larry David, Curb Your Enthusiasm
Tony Shalhoub, Monk
Charlie Sheen, Two and a Half Men

Best Comedy Actress:
Christina Applegate, Samantha Who?
Toni Collette, United States of Tara
Edie Falco, Nurse Jackie
Tina Fey, 30 Rock
Julia Louis-Dreyfus, The New Adventures of Old Christine

Best Comedy Ensemble:
30 Rock
Curb Your Enthusiasm
Glee
Modern Family
The Office

Best Drama Actor:
Simon Baker, The Mentalist
Bryan Cranston, Breaking Bad
Michael C. Hall, Dexter
Jon Hamm, Mad Men
Hugh Laurie, House

Best Drama Actress:
Patricia Arquette, Medium
Glenn Close, Damages
Mariska Hargitay, Law & Order: SVU
Holly Hunter, Saving Grace
Julianna Margulies, The Good Wife
Kyra Sedgwick, The Closer

Best Drama Ensemble:
The Closer
Dexter
The Good Wife
Mad Men
True Blood

Best TV Movie/Miniseries Actor:
Kevin Bacon, Taking Chance
Cuba Gooding Jr., Gifted Hands: The Ben Carson Story
Jeremy Irons, Georgia O’Keeffe
Kevin Kline, Cyrano de Bergerac
Tom Wilkinson, A Number

Best TV Movie/Miniseries Actress:
Joan Allen, Georgia O’Keeffe
Drew Barrymore, Grey Gardens
Ruby Dee, America
Jessica Lange, Grey Gardens
Sigourney Weaver, Prayers for Bobby

‘Glee’ & HBO Lead Golden Globe Nominations; ‘Sons of Anarchy’ Shockingly Snubbed

How cool and well deserved: Freshman musical dramedy Glee leads the pack of TV nominees for the Jan. 17 Golden Globe awards. HBO leads all networks with 17 nominations, while Fox’s Glee leads all shows with four nominations: Best Actor, TV Comedy or Musical for Matthew Morrison, Best Actress, TV Comedy or Musical for Michele Lea, Best Supporting Actress, TV Comedy or Musical for Jane Lynch and Best TV Series, Comedy or Musical for the series.

In other awards news, 30 Rock, Mad Men, Modern Family and The Office lead the Writers Guild of America awards nominees with three each, while Glee and Starz’ Party Down (both of which star the wonderful Jane Lynch) are among the American Film Institute’s top 10 shows of 2009.

One huge quibble with all the awards: No Sons of Anarchy nominations?! Seriously? Not even a Golden Globe nod for Katey Sagal as Best Actress, while the incredibly wooden January Jones does get one? That is one of the biggest oversights in years.

Sons of Anarchy creator Kurt Sutter (who was also inexplicably overlooked for his SoA writing) actually penned a great post on his Sutter Ink blog last fall about why shows like his are overlooked during awards season. It’s a good read, especially in light of this week’s Sons snubs. But the lack of Sagal nomination, most of all, still breaks my TV-lovin’ heart.

Complete lists of nominees and AFI’s top 10 shows of 2009 list are below:

GOLDEN GLOBE TV NOMINATIONS
BEST TV SERIES, DRAMA
Big Love (HBO)
Dexter (Showtime)
House (FOX)
Mad Men (AMC)
True Blood (HBO)

BEST TV SERIES, COMEDY OR MUSICAL
30 Rock (NBC)
Entourage (HBO)
Glee (FOX)
Modern Family (ABC)
The Office (NBC)

BEST ACTRESS, TV DRAMA
Glenn Close, Damages
January Jones, Mad Men
Julianna Margulies, The Good Wife
Anna Paquin, True Blood
Kyra Sedgwick, The Closer

BEST ACTOR, TV DRAMA
Simon Baker, The Mentalist
Michael C. Hall, Dexter
Jon Hamm, Mad Men
Hugh Laurie, House
Bill Paxton, Big Love

BEST ACTRESS, TV COMEDY OR MUSICAL
Toni Collette, United States of Tara
Courteney Cox, Cougar Town
Edie Falco, Nurse Jackie
Tina Fey, 30 Rock
Lea Michele, Glee

BEST ACTOR, TV COMEDY OR MUSICAL
Alec Baldwin, 30 Rock
Steve Carell, The Office
David Duchovny, Californication
Thomas Jane, Hung
Matthew Morrison, Glee

BEST SUPPORTING ACTRESS
Jane Adams, Hung
Rose Byrne, Damages
Jane Lynch, Glee
Janet McTeer, Into The Storm
Chloe Sevigny, Big Love

BEST SUPPORTING ACTOR
Michael Emerson, Lost
Neil Patrick Harris, How I Met Your Mother
William Hurt, Damages
John Lithgow, Dexter
Jeremy Piven, Entourage

BEST MINI-SERIES OR TV MOVIE
Georgia O’Keeffe (Lifetime)
Grey Gardens (HBO)
Into the Storm (HBO)
Little Dorrit (PBS)
Taking Chance (HBO)

WRITERS GUILD OF AMERICA AWARDS NOMINATIONS
DRAMA SERIES
Breaking Bad
Dexter
Friday Night Lights
Lost
Mad Men

COMEDY SERIES
30 Rock
Curb Your Enthusiasm
Glee
Modern Family
The Office

NEW SERIES
Glee
The Good Wife
Hung
Modern Family
Nurse Jackie

AFI’s TV TOP 10 OF 2009
The Big Bang Theory
Big Love
Friday Night Lights
Glee
Mad Men

Modern Family
The No. 1 Ladies’ Detective Agency
Nurse Jackie
Party Down
True Blood

Katey Sagal on ‘Sons of Anarchy’ Season 2 Premiere

So … did I exaggerate? Was last night’s Sons of Anarchy season two premiere every bit as good as season one, if not better? And was the vicious attack on Gemma at the end of episode some of the most graphic, brutal and heartbreaking moments on TV this year?

Katey Sagal, who plays SAMCRO matriarch Gemma, continues her incredible, should-be-nominated-for-an-Emmy performance, and the episode itself was an example of series creator Kurt Sutter‘s best, most layered writing. The contrast between tough-as-nails Gemma kindly waiting with Chief Unser after his cancer treatment and the debauchery of SAMCRO’s welcome home party for Bobby Elvis was a good little “day in the life of Gemma” piece, and made the episode-ending attack on her that much more powerful, shocking and crushing.

And as I said in the intro to my interview with Sagal, the show, and Sagal’s performance, just keeps getting better throughout the season.

I had to leave a few things out of the post of my interview with her yesterday, so as not to spoil anything in the premiere, so here, now, are a few of her thoughts on what happened to Gemma, and how it will affect the rest of the season.

SPOILER ALERT: Sagal discusses a minor plot point from next week’s episode below, so if you want to remain totally spoiler free, skip it. But it’s something her co-star, Charlie Hunnam, discussed in greater detail at EW.com, so I’ll go ahead with it here.

And there’s still more to come from Sagal, after next week’s episode.

The attack on Gemma in the season premiere was a powerful moment, very difficult to watch, but it seems like it’s going to open up a lot to viewers about her character, her past, her motivations. What did you think when you read the script for the episode?
Well, I knew it was coming. Kurt (Sutter, Sagal’s real-life husband) had told me what was going to happen. You know, I was a little intimidated by doing it, but, it’s like everything I’ve been learning while doing this show … there are things where I think, ‘Oh, wow, I don’t know if I can do that,’ and then I do it and I’ve learned more and I get better at what I’m doing, and I feel more comfortable. So that felt really great. Ultimately, being an actor, you just want to keep trying new things.

And then, the season … what happens to Gemma really sets up the arc for the season. The fact that she is not going to tell them what has happened to her is very important in what goes down, because the season is all about loyalties. Everybody’s falling apart a little bit. It’s all about secrets. Secrets can destroy things. So we’re going to have to spill secrets at a certain point.

Were those scenes in the premiere, and all of the scenes that make up the aftermath of the attack for Gemma, more difficult to film with your real-life husband on set?
Oh no, I felt very comfortable around him. Kurt’s an actor as well … so no. I felt comfortable with everybody on our set. It’s a very safe environment, and the show goes into some dark, risky places for everyone. So it’s a pretty cozy set. If anything, I felt safer being there with them.

One of the things that’s so heartbreaking about the attack and its aftermath is that it makes Gemma so vulnerable, which is, clearly, her least favorite state to be in. Is that going to catch up with her?
Yes, you’re going to see her act out in some ways, definitely. There will be circumstances in which her behavior will be very uncharacteristic of who we think she is. And as a character, her own behavior startles her.

Talkin’ With … Katey Sagal, ‘Sons of Anarchy’ Red Hot Mama Gemma

WARNING: Minor season one spoilers ahead, in case you haven’t finished that DVD box set yet …

First, a mini review of the Sons of Anarchy season two premiere: six stars on a scale of one to five, an 11 on a scale on one to ten, three thumbs up … you get the picture. For a show that had as great a first season as a show could have, SoA tops itself with tonight’s sophomore season premiere (10PM ET, FX).

The premiere delves right into the action, with Jax (Charlie Hunnam) and Clay (Ron Perlman) butting heads (especially after Jax’s realization about Donna’s murder), just as outsiders threaten the SAMCRO gang. “White separatists” led by guest stars Adam Arkin and Henry Rollins are as evil as they wanna be, and they reveal just how far they’re willing to go to oust the Sons of Anarchy from Charming with a shocking, brutal, heartbreaking move that will set up the rest of the season.

A central figure in the plot: Gemma, “old lady” of Clay, mother of Jax, who’s not only caught in the middle between her hubby and son, but is also thrown into the middle of this new war.

I had the chance to chat with Gemma portrayer Katey Sagal on Friday, just as the cast and crew – including Sons of Anarchy creator Kurt Sutter, who plays Big Otto on the show and who is married to Sagal in real life – prepare to shoot the season two finale.

Sagal (who should have received an Emmy nomination for Sons of Anarchy‘s first season, and, based on the first five episodes of season two that I’ve seen, has already made her case for one again) talks about Gemma, her relationships with her motorcycle men, the comeback of her other hit series, Futurama, the likelihood of a Married … with Children reunion and whether or not she might be resurrected for the final season of Lost.

One more note: Tune in to TVScreener.com on Wednesday for Sagal’s thoughts on the season two premiere (to share them now would be very, very spoilery).

Thanks so much for taking the time to chat today, Katey. Is it true that your husband wrote the part of Gemma for you?
Yes. He was approached by the Linsons (father and son producers Art and John Linson) about writing a television show about this world, and he started writing it and somewhere in the middle of it he said, ‘I have a part for you,’ and I said, ‘Oh, fantastic.’ And that was the last I heard of it until he gave me the script and it was really fantastic.

That must have been flattering, given how strong of a character that Gemma is, that he wrote her with you in mind.
Oh, yes. Especially considering that I think my husband is an amazing writer. So yes, I was flattered that he would give me that challenge. I don’t think he would have done it if he didn’t think I could pull it off.

What was your reaction the first time you read the script?
I thought it was really amazing. And I hadn’t seen that world explored the way he was exploring it, and I just loved the epic nature of it.

It is, uniquely, a very respectful treatment of this motorcycle club world …
Oh yeah, (Kurt) is treating it very respectfully. And realistically. He pays a lot of attention to detail, which is important to him, and I think it really enhances the storytelling. Sometimes I watch the show, and I think ‘Really?’ You know, like, ‘Really, that just happened?’ And that’s just in the details of the goings-on, the formality of the club, the rules and regulations, the things you’re supposed to do and the things you’re not supposed to do. I think that all contributes to the world that he’s created.

How much research did he or you and the rest of the cast do into this world, this motorcycle club life?
Kurt did a lot. And then he also created an entire mythology for these characters, where they’ve come from, and how they got to where they are. So there’s a lot of backstory that (viewers) may never really hear about, but we did. He researched a lot of the world. I tried to find research on the women (of motorcycle clubs), but there’s very little. You know, it’s really a pretty misogynistic group, so Gemma is a lot of creative license. Gemma has been there since the beginning. She grew up in Charming and kind of ran away from home, hooked up with the motorcycle club and brought them back. So she’s been there since the inception. That’s just part of her history.

How much did you help shape Gemma?
The part that I had a hand in was her physicality. I decided to put those big blond streaks in my hair. I thought she’s a woman who would wear a lot of makeup. She dresses … it was written that she’s a very sexy woman. I think she’s always led with her sexuality. She’s a woman in a very strong man’s world. It’s not a demure world, for sure.

Gemma’s a hot mama.
Yes. She’s a hot mama.

Does Gemma see herself as a mother first or a wife first?
I think as a wife first. But I think that having been there since the inception of the club, she’s always envisioned herself as the mother of these boys.

Just as Gemma is one of the best female characters on TV, her relationship with Clay is also one of the most interesting. It’s nice to see a married couple who isn’t twentysomething, but is still portrayed as very sexual, who basically love each other and aren’t sniping at each other all the time. Did you have chemistry with Ron Perlman right off the bat?
We actually did. We read together and there was a real sort of bond there. And I think Kurt’s intention for that couple is to not show ‘The Bickersons.’ His intention for them is to show that these people like being married to each other. These are people who have fun together. Sex is still good. We’re not gonna have the middle-age crisis of, they’re only together because they have to be. And I think that’s an interesting depiction, too. I mean, in season two, you’re going to see some strains on that relationship based on some of the goings-on, but it’s not for lack of love.

Gemma’s relationship with Tara is another of the show’s most interesting relationships. Do you think they begrudgingly like and respect each other?
I would say, from Gemma’s point of view, she realizes at the end of season one, in that finale when Tara kisses Jax at the funeral, that Tara is going to stick around. And Gemma’s no dummy. The last thing she wants to do is alienate her son. She sees the benefit of having a nurse around for Abel … you know, she quickly goes through the checklist … ‘OK, I see how I can make this work. Better to embrace the situation than to alienate everybody.’ So she makes that adjustment, and then through the goings-on of season two, you do see a very vulnerable Gemma, and Tara steps up and basically takes care of her in a way. So you kind of see that go on, and you see … you know, Gemma is a woman with a big heart, as far as I’m concerned. She’s all about loyalty and family and bonding, and for her to see some of those qualities coming out in Tara makes her feel safe around Tara.

Do you think she sees Tara as being a lot like her?
In some ways. And I think she’s also grooming her a little bit. Tara’s journey is a really interesting one, too, in that she comes from this world, too, but decided to leave. Tara kind of set out on her own, got herself educated, became a doctor, and to have this pull to come back to this world, what does that mean? So, I’m sure Gemma, in her own way, is testing her. It’s like, ‘Look, if you’re going to do this, if you really want to be in this environment, this is the deal. This is what you’re gonna have to do.’ Kind of ‘The Education of Tara.’

Because Gemma has relationships with almost everyone on the show, and her relationship with all of these people is different from what Clay’s is, or what Jax’s is, for instance, with Chief Unser, I think of her as really the center of this whole world … she, in a lot of ways, keeps things going smoothly even when those around her don’t know she’s doing it. What do you think about that?
I think that what she is is the matriarch to sort of the lost boys. If you look at the motorcycle culture as a bunch of displaced souls, in a weird way, who have bonded to form this union … you know, they all need a mom. (Laughing). And in that sense, I think that’s what she provides. She is the … you know, it’s all very sort of tribal. That’s how I sort of look at it. The guys are out doing the hunting and gathering, and the women are keeping the home fires burning. But who’s to say what’s most important, really?

What’s it like on the set as one of the few regular female cast members? Does the on-camera guy bonding continue off camera?
Oh yeah, they’re wild. Not only on the set, but out on the town. They have bonded like a real group of guys. Last week, they all got motorcycles – Harley-Davidson gave them motorcycles, sort of a promotional thing – and they all took off together and spent the day together. They are bonded. And to be around them is really fun.

Do you ride motorcycles now?
I don’t. I will go on the back. But I have three children, so my safety is most important to me.

The show does a great job of mixing the intense drama with comedic moments, especially with the dialogue, and so many of them come from Gemma. Is that harder, that dark comedy, to pull off than a straight sitcom situation?
I don’t really think of it as hard. It’s not like set-up/joke. So really, the dialogue comes out of the character and the circumstance, so you’re not looking for the laugh. And I think that it doesn’t really strike me as difficult, it’s just different.

Do you enjoy those little moments, those little interjections of humor?
You know, I have to tell you, I don’t even know when they’re going to be funny. To me, it’s (Gemma’s) point of view, just how she is. When we were at the premiere, and when Gemma says the line in the premiere, ‘I don’t want to turn him into a little vegan (p-word),’ and there was this big laugh. But when I said it, when we were filming it, I didn’t realize that that was funny. Do you know what I mean?

You were just in the moment of being the character …
Yeah. And she just has a point of view.

You’ve lived with this character, in this world, for more than a year now … are you getting good at anticipating where Kurt is taking the storyline?
Oh no, I’m totally shocked all the time. Wait until you see the season two finale. We just got the script today … it’s like, ‘Huh? What?’ You don’t always see things coming. You kind of think you know, but then something different happens.

So you’re still filming season two?
Yep, we have one more to go. We’re about to start shooting the finale.

Do you and your husband ever disagree about Gemma?
Not so much. You know, I just think he’s amazing. What he writes … amazing. I mean, I’ve had some questions, like in the beginning, about her relationship with Tara, and what am I doing, and he always has a great answer. He’s thought out all these things. So it’s never been, ‘I don’t think (Gemma) would do that,’ it’s more like ‘Why would she do that?’

You’re a musician, have recorded, still do live performances, and the show makes such great use of music … “John the Revelator,” in the first season finale, for instance, was so powerful. Do you have a hand in selecting the music?
Well, I helped hire the great music supervisor we have.

So, yes …
(Laughing) Well, he’s a collaborator of mine, who produced my last record, and he’s just amazing. Bob Thiele, he’s the music supervisor. And Kurt has a lot of input into the music as well. They kind of work together on that, but no, I actually don’t.

Is this the best role you’ve ever had? Or your favorite role?
Hmm, well … it’s my favorite role for today (laughing). You know, because I love doing comedy, too. I loved being on Married … with Children. That was fantastic. And I’ve played a lot of parts that I’ve really enjoyed. But this is really stretching me in ways that I really wanted to be stretched. I really wanted to be challenged. I had never done an episodic, dramatic show before, where you have a storyline that carries out for 13 episodes. So you’re having to clock where you are. In any given episode, you need to know where you were three episodes ago. It’s a big arc. And you kind of don’t know where you’re going until you get there. So that’s an interesting process. It’s really been fantastic, and I’m having a great time with it.

And you are heading back to work soon, or maybe already are at work, on the new Futurama episodes for Comedy Central?
Oh yes, we started. We’ve already done three episodes so far. It went right into production. We’ve done just the voices so far, I should say. Then they go to the animators. So I’m not sure how long it all takes, but we’re definitely up and running.

Obviously, there’s always been a big fan base for the show, but were you surprised at all at how loyal those fans have remained, to the point where there’s going to be this whole season of new episodes?
Haha, well, I’m never surprised with Futurama anymore, because we’ve ended it so many times. But it really is a tribute to the fanbase, because they’re the ones who keep it alive. So no, I wasn’t totally surprised, because we’ve never really said goodbye to each other.

And would you be happy if Futurama continues on after this new batch of episodes?
Oh yes, absolutely. I love doing that show.

Given the Futurama “reunion,” any chance of a Married … with Children reunion?
I don’t know … we had a little reunion of sorts when David (Faustino) did his Web series (Starved), which was really wrong (laughing). We did all kind of get together for that. And every once in a while someone mentions doing a reunion, and then nothing ever happens. I’m sure we’d all be open to it, but time is moving on. They better get on it fast.

And what about a return to Lost? We think we know that Helen, John Locke’s girlfriend, is dead, but that could change with whatever is still to be revealed in the show’s final season.
Well, I’m holding out hope. I don’t know anything specifically. But you know, with Lost, they call you at the last minute if you’re going to be on the show, so I wonder about that, too. I love Lost. My son and I, my 13-year-old, and I, are just addicted to it. So yes, I’m holding out hope that Helen will be resurrected.

Are you a big TV fan in general? What else do you watch besides Lost?
I watch … I love Nurse Jackie. I like Hung. And I’ve watched Weeds the whole time. Mary-Louise Parker is great. I don’t watch a lot of mainstream, network TV, though I have been watching The Big Bang Theory, and that’s really funny. You know, Kaley (Cuoco) is on it, and I was on 8 Simple Rules with her, so I do like to watch that.

You mentioned Nurse Jackie and Weeds, and those kinds of shows, along with Sons of Anarchy, are really where the great roles are for actresses these days …
Oh, definitely. Thank God for cable. And not just for women, but ‘women of a certain age.’ It’s just awesome.

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